Xu Jiang’s ‘sunflower generation’ has been shaped by the task of coming to terms with the country’s historical upheaval, by a disengagement from the past and by the necessity of finding new orientation. Through his exhibition, the artist fosters a dialogue about how to redefine artistic positions in the wake of historical events. In a dialogue between artists and visitors, he seeks to explore the spiritual core of a shared history which is rooted in similar social and artistic experiences.
Xu Jiang was born in Fujian, China, in 1955. He is principal and professor at the China Academy of Art in Hangzhou. He deals in great depth with the cultural context in which he creates his works. At the same time, his works are about the exchange between Western and Eastern cultures. His painting is regarded as an opposition to contemporary visual and consumer culture, a new development in the Chinese art discourse in the digital age.
As director of the China Academy of Art, Hangzhou, Xu Jiang has profoundly shaped and reformed the conception of art studies in China with his innovative ideas. Through his work he establishes creative free spaces for experimental art and open debates.